mikekire.com-2 2 Colosseum-008 Colosseum-007 Colosseum009 Colosseum-020 Colosseum008 Street-007 mikekire.com-1 3 mikekire.com-3 Colosseum-022 Colosseum-005 Colosseum-019 Campidoglio-005 Vatican Colosseum-003 Trevi-Fountain4 mikekire.com-4 Colosseum-017 Piazza-Spagna-005 mikekire.com-1 2 Trevi-Fountain6 Campidoglio mikekire.com-19 mikekire.com-1 3 mikekire.com-2 2 mikekire.com-17 mikekire.com-06 mikekire.com-1 2 Colosseum-004 Colosseum-021 Colosseum-006 Colosseum-010-1 Piazza-Navona-007 mikekire.com-05 mikekire.com-3 mikekire.com-08 Sant-Angelo-Bridge Campidoglio-004 Trevi-Fountain1 mikekire.com-07 Street mikekire.com-4 2 Colosseum-001 Lady-moonlight mikekire.com-01 mikekire.com-1 4 Colosseum10 Trevi-Fountain mikekire.com-16 mikekire.com-18 mikekire.com-1 5 Colosseum-002 mikekire.com-1 Sant-Angelo8 mikekire.com-11 Italy, RomeThe BEST! Flash for outdoor portraits. I’m using a speedlite as a fill flash for outdoor portraits on harshly lit days without a lot of cloud coverage. This will lighten shadows on your subject’s face but won’t affect the background exposure—it will fall off by then. When photographing people by additional light or strobes closer to them or vice versa for more flattering light. When clouds drift in front of the sun, shadows get less distinct. Add fog, and the shadows disappear. Clouds, overcast skies, and fog act as diffusion—something that scatters the light in many directions. On overcast or foggy days, the entire sky, in effect, becomes a single very broad light source—nature’s softbox. Shooting on a day without much cloud coverage? Materials such as translucent plastic or white fabric can be used to diffuse a harsh light source. You can place a diffuser in front of an artiflcial light, such as a strobe. Or, if we’re in bright sun, I use a light tent or white scrim to soften the light falling on your subject. Bouncing light acts as diffusion.